For the obsessed
BMW Turbo (1972)
Concepts · BMW

BMW Turbo

A gullwing wedge that was really a rolling safety lab — Paul Bracq's orange-and-red 1972 concept that pointed straight at the M1.

The concept

Designer
Paul Bracq (BMW head of design, 1970–74)
Built by
Carrozzeria Michelotti, Turin — on a 2002 floorpan
Debut
Built for the 1972 Munich Olympics · shown at Paris, October 1972
Layout
Rear-mid-mounted engine, rear-wheel drive · gullwing doors
Engine
Turbo 2.0L four — shared with the 2002 turbo · ~980 kg
Power (claimed)
≈200–280 hp @ 7,100 rpm (disputed period claim)
Built
Two cars — one static show car, one running test bed
World-first tech
Radar collision warning · ABS · deformable bumpers
Now
BMW Museum, Munich · BMW Zentrum, Spartanburg (USA)

The BMW Turbo has the shape of a promise the company wouldn't keep for six more years — a mid-engined, gullwing-doored supercar in fading orange-to-red. But look past the drama and it's something stranger and more serious: a rolling safety laboratory, built in 1972 to test crash structures, radar and anti-lock brakes, wearing the body of a dream car. It is the car where BMW's supercar future and its safety engineering were sketched at the same time, by the same hand.

Most concept cars are one idea, dressed up. The BMW Turbo is two, wearing the same clothes. On the surface it’s a mid-engined, gullwing-doored supercar in fading orange-to-red — the shape of a BMW that wouldn’t actually exist until the M1 arrived six years later. Underneath, it’s a serious piece of safety engineering, built in 1972 to prove that a car could be dramatic and survivable at once. Paul Bracq drew both cars into one, and it’s the tension between them that makes the Turbo more interesting than a prettier show car would have been.

A supercar with a clipboard

The safety brief is the thing that separates the Turbo from every other wedge of its era. The early 1970s were car design’s most safety-anxious years, and where rivals answered with ugly bumpers and warning buzzers, BMW answered with a supercar that happened to be a crash lab — the deformable structure, the radar, the anti-lock brakes all catalogued above. It’s a genuinely radical idea: not that a safe car must be dull, but that the most desirable car in the room could also be the one engineered hardest to keep you alive. Half a century on, that’s still an argument worth having.

The turbo that ran in the family

The name isn’t just styling. The Turbo takes its forced-induction four from the same family as the road-going 2002 turbo — the little saloon that beat everyone to become Europe’s first turbocharged production car. So the maddest BMW concept of its day and the most significant BMW road car of its day were, under the skin, close relatives. The exact power figure is the one number here that sources genuinely argue about, which is why it’s presented above as a range and a period claim, never as fact.

What it was really for

Strip away the gullwings and the fade, and the Turbo’s lasting idea is an argument, not a car: that the most desirable machine in the room and the most responsibly engineered one need not be two different machines. BMW built exactly two examples and never sold one — but it spent the decades afterward quietly proving the point, on road cars that owe this concept both their shape and their safety. A concept’s real output is influence, and few have been proved right so completely by so few cars.

Paul Bracq, the man who drew for both Germanys BMW Turbo — period rendering signed by Paul Bracq
The designer

Paul Bracq, the man who drew for both Germanys

Paul Bracq has one of the rarest CVs in car design: he authored landmark cars for two arch-rivals. Born in Bordeaux in 1933, he spent roughly a decade running Mercedes-Benz's Sindelfingen styling studio, where he shaped the 'Pagoda' SL, the vast 600 Grosser and the defining Mercedes saloons of the 1960s. Then, in 1970, he crossed to Munich as BMW's head of design.

At BMW he laid down the marque's whole 1970s look — the first 5 Series, 3 Series and 6 Series are all his — which is why he's often called the father of modern BMW design. The Turbo was his showpiece: the wild concept that ran alongside the road cars, a place to put every idea the saloons couldn't yet carry. (Between the two German jobs, he even helped style France's early TGV high-speed train.)

The Turbo is a designer's car in the fullest sense — the sketch above is his own, signed. Bracq drew a supercar and a safety manifesto at once, and made them the same object.

Also from Bracq
Mercedes Pagoda SL1963Mercedes 6001963BMW 5 Series (E12)1972BMW 3 Series (E21)1975BMW 6 Series (E24)1976

The design language

The cues that make it what it is — and why each one was drawn that way.

The body

Gullwings on a wedge

The show-stopper surface: a low, mid-engined wedge with pop-up headlights and gullwing doors, wrapped in a large glazed area deliberately sized to cut the driver's blind spots. It reads as pure 1970s supercar — which is exactly what disguised what it was really doing.

The structure

A supercar built to crash well

Underneath the drama, the Turbo was engineered to survive an impact. Its front and rear sections were foam-filled and mounted on impact-absorbing hydraulic struts — among Europe's first deformable, energy-absorbing bumpers — backed by side-impact beams in the structure, a padded cockpit, inertia-reel belts and a collapsible steering column.

The electronics

Radar and ABS, in 1972

The most startling part. The Turbo carried a rudimentary radar braking-distance and collision-warning monitor, with a warning gauge in the cockpit, plus anti-lock braking and a lateral-acceleration sensor — driver-assistance research demonstrated decades before any of it became normal. ABS wouldn't reach a BMW showroom for about six more years.

The finish

The orange-to-red fade

The single most-remembered thing about it: a graduated paint scheme fading from red to orange along the body. On a car this full of serious engineering, the livery is pure theatre — and it's what everyone pictures when they hear 'BMW Turbo'.

The concept that became the M1 BMW Turbo (1972) · Manufacturer press
The afterlife

The concept that became the M1

The Turbo never came close to production, but it planted two flags BMW would return to. The first was the mid-engined supercar: the idea reached showrooms in 1978 as the M1, BMW's first mid-engined road car — though, in a twist that connects this file to another, the M1's production body wasn't Bracq's but Giorgetto Giugiaro's, drawn at Italdesign. What the Turbo handed the M1 was the concept and the design themes, not the finished shape.

BMW has kept quoting it ever since — its cues resurface in the 8 Series, the Z1 and the 2008 M1 Homage concept. And the safety research grew up too: anti-lock braking reached the first 7 Series before the decade was out, and radar-based driver assistance, previewed here in 1972, eventually arrived on cars built in the millions.

Both Turbos survive. One sits in the BMW Museum in Munich; the other lives an ocean away, at the BMW Zentrum in Spartanburg, South Carolina — the running car still occasionally stretching its legs at events like Villa d'Este.

Every angle

The whole set — tap any to blow it up.

Design deep cuts

Was the BMW Turbo a running car?

Two were built, and one of them ran. The first was a static display car for the Paris Motor Show; the second was a fully operational running car that BMW used as a rolling test bed for the concept's engineering. Both survive today.

What engine did it use?

A mid-mounted, turbocharged 2.0-litre four — from the same engine family that, detuned, powered the road-going BMW 2002 turbo, Europe's first turbocharged production car. So the wild concept and BMW's first turbo road car are mechanical siblings. Quoted power ranges from about 200 to 280 hp depending on the source — a disputed period claim for a one-off, never independently tested.

What made it a "safety car"?

It was conceived as a safety and technology showcase in the safety-anxious early 1970s. The documented features include foam-filled deformable bumper sections on hydraulic struts, side-impact beams, a padded cockpit with inertia-reel belts and a collapsible steering column, a radar-based braking-distance and collision-warning monitor, and anti-lock braking. It wore a supercar's body over a crash-lab's contents.

Did the BMW Turbo lead to the M1?

Conceptually, yes — the Turbo established BMW's mid-engined supercar idea that reached production as the M1 in 1978, BMW's first mid-engined road car. But be precise about what carried over: the M1's production body was styled by Giorgetto Giugiaro at Italdesign, not by Bracq. The Turbo gave the M1 its concept and design themes, not its finished shape.

Who was Paul Bracq?

A French designer, born 1933, and one of the very few to author landmark cars for two rival marques. At Mercedes-Benz he shaped the Pagoda SL and the 600 Grosser; then, as BMW's head of design from 1970 to 1974, he defined the first 5, 3 and 6 Series — which is why he's called the father of modern BMW design. The Turbo was his BMW-era showpiece.

Where are the BMW Turbos now?

Both cars survive. One is displayed at the BMW Museum in Munich; the other lives at the BMW Zentrum museum in Spartanburg, South Carolina, in the United States. The running car still turns up occasionally on the concours circuit.

More from the drawing board